In Sarah Orne Jewett’s “A White Heron” we see a sharp contrast between female and male’s respect toward nature. Additionally, age plays a factor in the manner in which the young her and the hunter treat nature.
Sylvia, the young girl who ran into the hunter, has a love for the birds in her area. Her grandmother tells the hunter that one of the bird’s he speaks of is “Sylvy’s” acquaintance. The girl speaks of them and treats them as friends. When the hunter ask if she has any knowledge of a white heron, which he plans to shoot and add to his stuffed bird collection, she tells him she does not know of its whereabouts. While the man tells the girl of his admiration towards the birds, “she could not understand why he killed the very birds he seemed to like so much” (12).
Sylvia expresses her love for nature and it’s creatures by protecting them and acting in a motherly way. She goes to the tree where she knows the heron lives and does not dare scare it or harm it. Instead she sits still and watches it’s motions.
The hunter, on the other hand, takes a much more masculine approach. He shows his “love” for nature by collecting the birds he is fascinated with and keeping them.
Keeping dead nature is almost like visiting an exhibit. All that is shown is set up in a convenient and idealized manner. Nothing is in its natural environment, roaming at its own will and acting in it’s natural way.
The hunter shoots the birds for his own personal desires and even offers the young girl money to bring him to the bird so that he may shoot it. Like we see in many other pieces of work, nature is used as an economic resource. Everything in it is taken to be used for human advantage. Sylvia, meanwhile, neglects the money that she said would have made them “rich.” She puts nature and her connection with it over greedy wants.
Jewett, Sarah Orne. A White Heron and Other Stories. Ch./Art: Ch 1 & 2 p. 12-13. pub. Houghton Mifflin Company 1886